“In Beethoven's "Piano Concerto No. 3 in C Minor," the poised dialogue between pianist An Tianxu and conductor Mehta achieved a sublime artistic realm. With impeccable technique and meticulous musical logic, his interpretation unfolded with a structural clarity akin to his approach in the Bach encore—methodically revealing the polyphonic layers of the music. His synergy with Mehta, both embracing a grounded and restrained style, deftly avoided the common pitfall of disjointedness often found in concerto performances.”